It got to the point that I could only do *one *parameter change at a time and one render before the DAW crashed from the insane CPU and RAM usage. To contribute: Really early on I did one track with something like 15 of them all being layered on top of one another, with LFOs and stochastic automation controlling everything and triggering different midi notes throughout all of 'em. The creator, Kieran, is very friendly and is pretty nice with answering questions about how things work or how he did what. it was one of the first things I recreated and modified the fuck out of and learned deeply from. However it's a complete Max/Reaktor gateway drug too because its' wonderfully intuitive and boasts one of the best UI's I've ever used. Even in a couple of Aphex Twin's tracks it kinda takes you out of the moment, like hearing autotune or a DX7 synth in any track. DBlue's Glitch and Glitch2 are incredible effect vsts if they're used lighlty but its really glaring how often it sticks out in peoples tracks due to its typical use.

Dblue glitch effect